Charlie Todman
With little in the way of formal training in ceramics, I work intuitively with clay, exploring a variety of techniques to create intriguing forms. My process often involves alternative firing methods, which result in dramatic marks and patterns on the surface of the clay. Being mostly self-taught allows me the freedom to experiment and try anything that comes to mind— failures are merely steps toward progress and understanding.
One of my favoured techniques is saggar firing, where I use a mixture of organic and inorganic materials to fume unique patterns onto the clay. Each kiln opening is a moment of surprise, revealing unexpected and exciting results. My studio, nestled in the garden, serves as a sanctuary from the hustle and bustle of daily work and family life, where time seems to stand still, providing a peaceful space for creation and reflection.
My recent body of work has focused on porcelain slip, crafting delicate and sometimes translucent forms. Each vessel is unique, possessing its own character, often evoking thoughts and stories about the history of the object. Through this work, I seek to inspire a sense of wonder and narrative, inviting viewers to imagine the journeys and tales each piece might hold.
